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Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents.

Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents.

Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between

How did castrati manage to amaze their eighteenth-century audiences by singing the same aria several times in completely different ways? And how could composers

Grief, Identity and the Arts addresses the interplay between grief and identity in a broad range of artistic disciplines, historical periods, and geographical a