Contained within The Innocent Child of La Guardia are two radically different plays: a simple devotional play that pits good against evil ans another play full
Lope de Vega (1562-1635), widely regarded as the architect of the drama of the Spanish Golden Age, was known by his contemporaries as the `monster of Nature' on
She takes into account plays that reveal their conventional, formulaic views of the Christian feminine ideal as well as those whose variety and flexibility pres