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This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles

Engages Deleuze's philosophy with a range of popular films and explores the degree to which a film's popularity impacts upon its ability to 'think' (in the mann

Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histor

Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures

Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories