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The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.

This is the first musicological study entirely devoted to a comprehensive analysis of musical Holocaust representations in the Western art music tradition. Thro

Dora Apel analyzes the ways in which artists born after the Holocaust-whom she calls secondary witnesses-represent a history they did not experience first hand.

Witnessing Witnessing focuses critical attention on those who receive the testimony of Holocaust survivors. Questioning the notion that traumatic experience is

This collection explores Rancière's thought along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music,