For decades, social perspectives, and even academic studies of language, have considered clichés as a hackneyed, tired, lazy, unthinking and uninspiring form o
From one of Australia's best-known writers and public intellectuals comes a funny and profound polemic about the sorry state of public language and what can--an
“An indispensable and enduring field guide to the arguments the left makes—and the ones it tries to avoid.” —The Claremont Review of Books According to