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This study of Vivaldi's late operas grew out of an interest not so much in Vivaldi but in Baroque opera in general. On examining the position of research into t

Bd. 2: Musical examples.

From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera: ". . . it was a serious, t

The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.

When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, t