Drawing substantially on original ethnographic fieldwork from the 1980s and 1990s, Lawson demonstrates how the women of quyi - a community of Chinese female sin
Why has the female voice—as the resonant incarnation of the female body—inspired both fascination and ambivalence? Why were women restricted from performing
Following three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coast
The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pay
The Turkic soundscape is both geographically huge and culturally diverse (twenty-eight countries, republics and districts extending from Eastern Europe through