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Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in

Through a connected investigation of cultural and cinematic concepts, Wang weaves a critical narrative of the formation of a unique post-socialist cultural cons

This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disap

Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became

The Formation of Chinese Art Cinema: 1990–2003 examines the development of Chinese art film in the People’s Republic of China from 1990, when the first Sixt