Leo Treitler is a central figure in American musicology, both for his writings on medieval and Renaissance music and for his influential work on historical anal
Both a defence of research aiming to recover how music sounded in the past and an argument for the application of such historical research to performance.
"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Pro
This book examines the ways in which imperial agendas informed the writing of history in nineteenth-century Britain and how historical writing transformed imper
The question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular tr