Download or read book Imagination in Landscape Painting (Classic Reprint) written by Philip Gilbert Hamerton and published by Forgotten Books. This book was released on 2018-03-20 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Imagination in Landscape Painting Landscape-painters, like other men, may be endowed with the imaginative faculties in the most various degrees and in quite different orders. We shall have to discriminate between some, at least, of these in the course of the fol lowing chapters. For the present we must content ourselves with the simple assertion, to be maintained subsequently by proofs, that there is nothing peculiar in the imagination of a landscape-painter, except this, that it is occu pied with objects and phenomena that interest him more peculiarly than others. Not that other people are necessarily without interest in these objects and phenomena, for if they were so, the productions of the landscape-painter would have no sale, and he could never win reputation. Thousands of passages in litera ture give evidence of a landscape-painter's tastes, and many seem to prove that the writer possessed exactly the kind of imagination which we are in the habit of attributing to painters. There is abundant evidence, too, of the presence of taste and imagination exercised with reference to landscape, in people who have no artistic training Whatever, and who do not express themselves in literature. We know this by their evident delight in romantic natural. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.