When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascis
In this book, Julius Evola analyzes the Fascist movement of Italy, which he himself had experienced first-hand, often as a vocal critic, throughout its entire h
From neorealism's resolve to Berlusconian revisionist melodramas, this book examines cinema's role in constructing memories of Fascist Italy. Italian cinema has