In her 1974 Revolution in Poetic Language, Julia Kristeva resisted the abstract use of language, with its aim of totalization and finality, in all its colonizin
In Revolution in Poetic Language, Julia Kristeva explicates her foundational distinction between the semiotic and the symbolic and explores their interrelations
Breathing and its rhythms—liminal, syncopal, and usually inconspicuous—have become a core poetic compositional principle in modern literature. Examining mom
In Language and Politics in Julia Kristeva, Carol Mastrangelo Bové explores how Kristeva's theoretical and fictional writings contribute to an understanding of