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Critically surveys the films of Tony Richardson, one of Britain’s most inventive directors of stage and screen.

From the landmark films of Tony Richardson to the untimely death of Natasha Richardson – this is the saga of one of the greatest dynasties in British film and

Tony Richardson was a key figure in British cinema of the 1950s and 1960s. Having established himself in the theatre with the first production of John Osborne's

Fred Zinnemann, celebrated director of such classic films as High Noon, From Here to Eternity, and A Man for All Seasons, is studied here in a book-length work

This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to