Satire, Prints and Theatricality in the French Revolution

Satire, Prints and Theatricality in the French Revolution
Author :
Publisher :
Total Pages : 275
Release :
ISBN-10 : 1800343744
ISBN-13 : 9781800343740
Rating : 4/5 (44 Downloads)

Book Synopsis Satire, Prints and Theatricality in the French Revolution by : Claire Trévien

Download or read book Satire, Prints and Theatricality in the French Revolution written by Claire Trévien and published by . This book was released on 2016 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Revolutionary era was a period of radical change in France that dissolved traditional boundaries of privilege, and a time when creative experimentation flourished. As performance and theatrical language became an integral part of the French Revolution, its metaphors seeped into genres beyond the stage. Claire Trévien traces the ways in which theatrical activity influenced Revolutionary print culture, particularly its satirical prints, and considers how these became an arena for performance in their own right.Following an account of the historical and social contexts of Revolutionary printmaking, the author analyses over 50 works, incorporating scenes such as street singers and fairground performers, unsanctioned Revolutionary events, and the representation of Revolutionary characters in hell. Through analysing these depictions as an ensemble, focusing on style, vocabulary, and metaphor, Claire Trévien shows how prints were a potent vehicle for capturing and communicating partisan messages across the political spectrum. In spite of the intervening centuries, these prints still retain the power to evoke the Revolution like no other source material. Reviews 'Claire Trévien's interdisciplinary exploration of the political and visual terrain between the stage and satirical prints in the French Revolution is both imaginative and path-breaking. It opens up new perspectives on the confluence of some of the most striking visual expressions of Revolutionary culture.'Colin Jones, Queen Mary University of London


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