On the morning of Sunday, June 23, 2002, 100 participants gathered at The Museum of Modern Art in midtown Manhattan, along with a 12-person Peruvian brass band,
This beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909Ð1979). Lewis was the sole African Ame
Preface -- Introduction -- Civic glamour on the move -- Candles --The flamboyance of death --The sovereign's progress -- Crisis processions and the power of ban