Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major form
Scholars and artists revisit a hugely influential essay by Rosalind Krauss and map the interactions between art and architecture over the last thirty-five years
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from
Rosalind Krauss is, without visible rival, the most influential American art writer since Clement Greenberg. Together with her colleagues at ^IOctober^R, the jo
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art acco